
You begin with darkness. You see the shadows first, elegant and fluid, and only then trace the origins back to the jagged abstraction before you.
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I begin with light. I chase the silhouettes that are yet to emerge, letting the shadow guide my hand to the sculpture’s existence.
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We meet in the middle, questioning how something so raw could birth such grace.
Will Budgett (b. 1993, Oxfordshire, UK) is a sculptor whose practice explores the dialogue between material, light, and perception. Through the invisible choreography between matter and light, his work examines how form can shift between presence and absence. Balancing the precision of industrial fabrication with a sensitivity to space and atmosphere.
Drawing on years of experience in design and advertising, Budgett brings a refined eye for visual rhythm, composition, and audience engagement. These sensibilities now inform his sculptural process, which begins not with a fixed form, but with a shadow. Light is a co-author in the sculpting processas , he allows projected silhouettes to guide the physical construction, responding in real time to the shapes cast on surrounding surfaces.
Budgett’s work has been exhibited at galleries and outdoor installations across the globe. Recently at the Florence Biennale XV, where he received the Lorenzo il Magnifico Prize for Sculpture, as well as the London Biennale, as well as other exhibitions at galleries in the UK, USA, NZ, Kyrgyzstan & Spain.
Viewers encountering his work are invited into a moment of quiet recognition, where abstract forms reveal hidden dancers frozen in fleeting motion. This visual transformation encourages reflection on perception and presence.​


Each sculpture begins not with a fixed form, but with a shadow. Working with the lights on from the very start, Budgett allows projected silhouettes to guide the creation, sculpting in direct response to the shadows cast on surrounding surfaces.
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This method turns the process into a visual dialogue between light, material, and motion. The final physical sculpture often remains abstract or fragmented when viewed in daylight, but when illuminated correctly, it reveals its hidden choreography in shadow. The sculpture is, in a sense, co-authored by light, with its true form only fully realised at the moment of illumination.
Exhibitions:
2026
Art Surrey, Sandown Racecourse, UK
Art World Fair Paris, Paris, France
Fusion Art Fair, Harrogate, UK
Affordable Art Fair, Hampstead Heath, London, UK
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2025
Florence Biennale XV, Florence, Italy
London Biennale, London, UK
Art for Youth, The Mall Galleries, London, UK
'Glow', RHS Rosemoor, Devon, UK​​​​
Oxfordshire Museum Gardens, Woodstock, UK
LiGHT25, London, UK
Inferential, Luminoir Gallery London, UK
Art Surrey, Epsom Downs Racecourse, UK
Light and Shadow, Fox Yard Studio, Suffolk, UK
'Light', Birmingham Open Arts, Birmingham, UK
Monat Gallery, Madrid, Spain
'Woman', A Gallerium Exhibition, USA
'Mirage', London Glassblowing, London
'People', Biafarin, Online, USA​
Kirtlington Polo, UK
'Winter', Signet Contemporary Art, Mayfair, London.

2024
Mall Galleries, Art for Youth, The Mall, London
Signet Contemporary Art, Autumn, Mayfair, London.
Untitled Artist Fair, Chelsea Old Town Hall, London
RHS Glow, RHS Garden Rosemoore, North Devon
Motayo Gallery, Figures, Digital Experience
Holy Art Gallery, Future Stars, Hackney, London
LiGHT24, Islington, London
Artbox Expo, Basel, Switzerland
Kirtlington Mirror Houses, Oxford
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2021
Creating Sparks, Auckland, NZ​​​​​
2018
Silks on the Silk Road, Korean Art Cafe, Bishkek, Kyrgyzstan​​​​​
2014
Natural History Museum, London.
Excellence of youth, Suffolk, UK.
2013
Saatchi Gallery, London.
Excellence of youth, Suffolk, UK.




